Chinovsky, Peter

Peter Chinovsky, Bulgarien

* 19.01.1988 Sofia (Bulgarien) 

pchinovsky@gmail.com
pchinovsky.wixsite.com/chinovsky/home-1
instagram.com/peter_chinovsky/

Education :
2006   “High School for Interior Architecture”, Sofia;  with interior architecture.
2008   “Art College for Visual Arts”, Sofia;  with animation and visual communication.
2012   VTU “St.st. Cyril and Methodius”, Veliko Tarnovo; with graphic arts. Studied under Hristo Naidenov, Hristo Kerin and Peter Lazarov.

Selected Awards :
2017   Excellence Jury Award, 3rd International ‘Enter into Art’ Exhibition, Cologne, Germany.
2016   1st Medal Award, XIX International Exlibris Biennial, National Art Museum, Vilnius, Lithuania.
2016   1st  prize for small graphic work in 2nd International ‘Enter into Art’ Exhibition, Cologne, Germany.
2016   Distinction Award, XVI International Biennial of Small Graphic Forms and Ex Libris, Ostrow Wielkopolski, Poland.
2014   Young Artist Award in First International Ex Libris Competition, Varna, Bulgaria.
2013   1st prize for ex libris at the DEG meeting, Wurzbach, Germany.
2012   1st prize in “The soul of a spring” contest, Yambol, Bulgaria.
2012   2nd prize in National Student Exhibition, Blagoevgrad, Bulgaria.

Commission for Exlibriswereld, "Shel", Algrafie, 2018

Publications :
2020   “Graphische Kunst” magazine, Germany
2020   “Mitteilungen” magazine, January issue, Germany
2018   “Exlibriswereld” magazine, The Netherlands
2015   “NEA” (Nippon Exlibris Association) newsletter, issue 163, Japan
2014   “Contemporary Ex Libris Artists” book, Argentina
2014   “Exlibriswereld” magazine, The Netherlands
2014   “Literature Newspaper” newspaper, issue 26 (short story), Bulgaria
2013   “Boekmerk” magazine, Belgium
2012   “Contemporary Bulgarian Art” book, Bulgaria
2009   “White Canvas” magazine, issue 30, Bulgaria

Solo Exhibitions :
2016   Culture Center Cologne-Mulheim, Cologne, Germany
2018   Prosveta Gallery, Varna, Bulgaria 

 

Chinovsky – Ex Libris Portfolio

Commission for Ivan Popov, "Literal", Algrafie, 2019
Exlibris für Anke Polenz, "Life", Algrafie, 2020
Exlibris für Horstfried Masthoff, "Presence", Algrafie, 2019
Exlibris Birdy (2nd), "Desire", Algrafie, 2020
Exlibris für Luigi Bergomi, "Stalemate", Algrafie, 2019
Freie Grafik, "Figurative I", Algrafie, 2019

Dergachov, Oleg

Oleg Dergachov M. A.
* 18.07.1961 in Rostow am Don, Russland

+33 (0) 64 30 86 596
olegderg@hotmail.com
www.derhachov.com

194 B Avenue du Général de Gaulle  
16800 Soyaux
Frankreich

Ausbildung
1979 – 1984 Studium an der Ukrainischen Druckakademie in Lemberg, Ukraine, Master-Studium
1984 – 1989 Einzelunterricht bei Yuri Charym
1997 – 1999 Privatausbildung bei Walter Kaune (Deutschland)
1999 – 2000 Privatausbildung bei Andrzej Strumillo (Polen)

Beruf
Seit über 30 Jahren tätig in den Bereichen Druckgrafik, Buchillustration, Malerei und Bronzeskulptur
Seit 2005 Kunstprofessor in Montreal und Toronto
2006 – 2008 Anatomie- und Animationslehrer für Animation an der Max Matt School of Animation in Toronto, Kanada
Seit 2012 Professor an der Abteilung für fortgeschrittene Anatomie, Fantasy-Zeichnen, analytisches Zeichnen, Skulptur und Komposition am SYN Studio in Montreal, Kanada   
Seit 2012 Inhaber der Licorne Gallery in Westmount, Kanada
Seit 2013 Lehrer für Karikatur, fortgeschrittene Anatomie, analytisches Zeichnen, Live-Zeichnen und Skulptur in Licornes eigenem Studio in Westmount
Seit 2014 EDV Art Lecturer, Willingdon School, Montreal

Exlibris für Henry Tauber, "Das Jüngste Gericht", Radierung, 2020
Exlibris für Luigi Bergomi, "Labyrinth", Radierung, 1999

Gastdozenturen
1997 Reed College, Portland (Oregon), USA
2000 Universität von West-Ontario (ON), Kanada
2001 Staatliche Universität Presov, Slowakische Republik
2004 Akademie für Gestaltung, Lemberg, Ukraine
2005 – 2006 Romualdo-Del-Bianco-Stiftung, Florenz, Italien
2011 Forum für Animation und Computerspiele, Jilin College, Changchun, China
2015 Comics Forum, Konfuzius Akademie, Gayan, China

Mit Kunstwerken vertreten in Museen und Privatsammlungen in über 27 Ländern, u. a.:

Belgien: Frans Marereel Centrum, Kasterlee; Flämisches Kulturministerium; Kunstzentrum “Hof ten Doeyer” – Galerie “Tres”, Cortrij; St. Ignatius University Center in Antwerpen; Europäisches Zentrum für Cartoons, Kruishoutem

Deutschland: Mönchehaus Museum, Goslar; Lyrik Kabinett, München; Kunstverein Oerlinghausen; Herzog August Bibliothek, Wolfenbüttel

Frankreich: Mediotheek des Bobur; Centre Georges Pompidou, Paris

Großbritannien: British Library, London; Victoria and Albert Museum, London

Iran: Teheraner Museum für Zeitgenössische Kunst, Teheran

Italien: Museum für Humor in der Kunst, Tolentino, Foligno, Fano; Gemeindemuseum in Padua

Kanada: Avmor Collection, Montreal; Universität von West-Ontario, London/Ontario; Middlesex College und Stadtmuseum für Kunst und Geschichte, London/Ontario; Museum für Meister und Handwerker in Quebec, Licorne Art Gallery, Westmount

Kuba: Internationales Humor Museum, San Antonio de los Baños

Niederlande: Galerie Speijer & Vogtschmidt, Amsterdam; Sammlung Agaath & Jos Wan Waterschoot

Polen: Staatliches Nationalmuseum, Warschau; Kunstzentrum, Legnica; BWA-Sammlungen, Przemysl und Lodz; Museum für Cartoonkunst, Warschau

Russland: Staatliche Tretjakow-Galerie, Moskau; Museum der Schönen Künste. Alexander Puschkina, Moskau; Russische Nationalbibliothek, Moskau; Staatliche Russische Bibliothek, St. Petersburg; Staatliches Russisches Museum, St. Petersburg; Staatsmuseum von Anna Akchmatova, St. Petersburg; Kulturministerium, Moskau; Kunstgalerie Kaliningrad; Monaco Art Club, St. Petersburg

Schweiz: Cartoonmuseum, Basel

Spanien: ADOGI Art Foundation, Barcelona

Türkei: Verband der Karikaturisten, Istanbul; Cartoon Museum, Istanbul; Aydin Dogan Foundation, Hurriyet, Ankara

Ukraine: Kulturministerium, Kiew; Staatliche Kunstgalerie,Lemberg; Staatliches Museum für Buchkunst, Kiew; Gatamelata Foundation, Kiew; Dzyga Art Center, Lviv

USA: AG Moderne Kunst, Broadway, New York; Sammlung John Lent (PA), Ohio State University, Forschungsbibliothek, Columbus City; Sammlung seltener Bücher des Reed College, Portland, Oregon; Gordon & Vivian Gilkey Grafikzentrum, Portland, Oregon

Exlibris für Birgit Göbel, "People flying with balloons", Radierung, 2000

Auswahl an wichtigen Einzelausstellungen 
2011 “Presse Papier”, Centre d’artistes en estampe contemporaine (Trois-Rivieres), Kanada 
2010 Maison Lepallier, Chateauguay, Kanada; KUMF Art Gallery, Toronto, Kanada 
2009 Toronto Art Expo, Kanada 
2008 Verrückte Technik, Musee des Maitres et Artisans du Quebec, Montreal, Kanada 
2006 Labyrinth of Time “, Galerie in der Victoria Hall, Westmount, Kanada; Tryptik Galerie, Kiew, Ukraine 
2005 Don Quichotte-Projekt, Bibliotheque Nationale in Montreal, Kanada; Stubengalerie, Goslar, Deutschland; Rathausgalerie, Freiburg, Deutschland 
2004 Staatliches Kunstmuseum Surgut, Surgut, Russland; Staatliche Galerie der Künstlervereinigung, Kiew, Ukraine 

2003 Druckmuseum, Meppel, Niederlande; Michalsky Galerie Dwor, Bratislava, Slowakische Republik 
2002 Staatliches Kunstmuseum “Oratorio San Rocco”, Padua, Italien; Stara Kapetania Galery, Belgrad, Jugoslawien 
2000 Staatliche Galerie Vychodoslovenska in Kosice, Slowakische Republik 
1999 Staatliches Museum der Schönen Künste, Rostow am Don, Russland
1997 City Art Gallery, Legnica, Polen 
1996 Mönchehaus Museum für moderne Kunst, Goslar, Deutschland 
1994 Staatliches Museum von Anna Akhmatova, St. Petersburg, Russland; Staatliches Museum für Buchkunst in der Kiewer Pecherska Lavra, Kiew, Ukraine

Seit 1992 über 130 internationale Preise und Auszeichnungen

Seit 2019 lebt und arbeitet Dergachov in Frankreich

Exlibris für Josef Burch, "Keep your own level forever" Radierung, 2000
Exlibris für Birgit Göbel, "Wir tragen schwer an der Zeit", Radierung, 2000
Exlibris für Roland Freund, "Sisyphos", Radierung, 2000
Exlibris für Joop Sliep, "Diana", Radierung, 1998

Piskun, Safiya

Safiya Piskun 
*  14.07.1982 in Minsk

+375 29 274 01 81
lasofia@yandex.ru

Ul. Leshcinskogo 51-52
220140 Minsk
Belarus

1992 – 2000      Besuch des Kunstkollegs in Minsk
2000 – 2006      Studium an der staatlichen weißrussischen Kunstakademie
                             in Minsk, Grafik
2006 – 2007      DAAD-Masterstipendium für Freie Kunst an der
                             Kunstakademie in Münster
Seit 2000           Ausstellungen: Moskau, Estland, Deutschland, Österreich,
                            Belarus u. a.
2007 – 2010     Aspirantur in „Künstlerische akademische Werkstätten für
                            Malerei, Grafik und Skulptur“
Seit 2003           Arbeit als Illustratorin in Verlagen in Belarus, Russland, der
                            Ukraine
2011, 2015, 2019   DAAD-Wiedereinladung für Arbeitsaufenthalt an der                                             Kunstakademie in Münster
Seit 2014           Mitarbeiterin im Bildungszentrum „Slavjanskae slova“ in
                            Minsk
Seit 2008           Ordentliches Mitglied im „Belorussischen Künstlerverband“
Seit 2009           Teilnahme an internationalen Exlibris-Kongressen und
                             Exlibris-Ausstellungen 

Exlibris-Opusliste

Exlibris für Johan Hellekate, "Lebenszyklus", 2019, C3/col.
Exlibris für Anton Vetterle, "Venedig Schale", C3, 2012
Exlibris für Cees Lith, "Der standhafte Zinnsoldat", C3+C5, 2016
Exlibris für Luděk Kříž, "When I will be a Boat", C3, 2018
Exlibris für Stefan Wisniewski, "The way", 2019
Exlibris für Michael Gryksa, "Sammler", C3/col., 2017
Exlibris für Helge Larsen, "Mondpferd", C3+C6/col., 2019

Antonacci, Marianna

Marianna Antonacci 
Italien

Profile

Since I was a child I have always been fascinated by the countless illustrations of the “Corriere dei Piccoli” by Walter Molino’s caricatures and by the Ex libris, an extraordinary miniature. I have known them since my childhood, when I used to look through my grandfather’s books in the attic or in his library in Alberobello. Here there were all kinds of objects but, above all, ancient books of all sizes with precious and rare binding on canvas with a golden title (which I still jealously preserve today). It is in one of these volumes extracted from the library and subtracted from the company of the other books that I met for the first time an Ex libris. (I remember the phrase “Hic liber est meus” exclusively aimed at returning the book). I realized that the small, fine-grained piece of paper pasted on the reference page of the book, that I found in the other volumes, was a printed reproduction of a precious piece of paper, with a fine drawing, multiplied as many times as the number of books owned by my grandfather. It carried a precise design, a “Libra” symbol of equity and the family motto, corresponding to the linear and soft style of Art Nouveau. I realized that the slightly ivory sheet of laid paper told the story of a book belonging to a family of books, and therefore, to a family of people. The choice of the Artistic High School and then of the Academy of Fine Arts in the beautiful, fascinating and unique city of Lecce was determined by a natural attraction for art and the search for how it is possible to create matrices that can multiply images. And here is the alchemical experience of “etching” whose main role is played by the mordants and etches on the amorphous metal plate.

But the Matrix must be carefully prepared in order to withstand the violent action of the mordant. This is the most fascinating moment, the most delicate and dangerous one of the entire Etching, that is when the plate modified in its original structure generates images that materialize themselves in dots, hatches, crossings – strong or delicate contrasts – in the articulated game between black and white.

Matrix and acid enter into synergy and contrast in a sort of struggle for the supremacy of the sign. That sign that was not there before is now present, becomes a sort of witness and interpreter of culture, history and life of every man in every country.  Moving to Rome in the late 1980s, I regained my artistic vocation. I participated in national and international Exlibris competitions and I had the opportunity to tell, interpret and reveal my secrets. Since then over the years my publications appeared on catalogues, then I have received awards, honourable mentions or reports for originality and merit.

Exlibris Officine Incisorie 2018, Tell me a `Story´, 2019, C3 - - - - - - TELL ME A STORY THE WINE Once up on a time, there was a farmer who planted a vineyard: he was planting the young shoots. While he was planting the sarments Satan, the devil, passed by there and said: “ Handsome man, what are you doing? “ “I am planting these sarments to bring a beautiful fruit in the summer, then I will crush this fruit, put in the containers and a beautiful drink will come out of this fruit in the coming winter!”. Satan said, “Can I keep you company?” “ Yes! ” And Satan took a lion, a pig and a monkey, he slaughtered them. He collected all their blood, put it in a container and the next morning he presented himself to this man who was planting the vineyard. He said: “ Handsome man, we must put all the sarments, in this blood, because the drink of this fruit will give the strength of the lion to those who drink it moderately; those who drink more will instead become a pig lying on the ground, and those who go further will become a monkey.

Preise und Ehrenvolle Erwähnungen  2014 to 2019

The Haunted Wood 2014 edition theme “Gabriele D’Annunzio”  ■ Special mention 1st classified Title “Impressioni Pugliesi” from Gabriele D’Annunzio’s travel diary in Puglia.

International Exlibris Competition: “Aldo Manuzio from paper to paperback”.  ■ The work was considered worthy of reporting. 

The Haunted Wood 2016 edition Theme “Alice in Wonderland”  ■ Reported by the Jury  Title “Waking up with light feet discovering that it had been a dream” 

Exlibris 1st Edition 2016 ENGRAVING WORKSHOPS Abbey of San Nilo from Grottaferrata  ■ Finalist artist – classification order 6th  Title “Private Renaissance” taken from the book by Maria Bellonci

The Haunted Wood 2017 edition Theme “The Jungle Book” 

■ Special Jury Award Title “The moonlight at the entrance to the den was darkened: the large square head and shoulders of Shen Khan had slipped into the entrance.” I want my prey ”  Raksha: “The man-cub is mine!” 

Mestre Alberto Benvenuti Award Fourth edition 2017  ■ M.P. 4th prize  Title “Christmas Musicians” 

Stadtmuseum. MOSBACH 2017 Exlibris Germany  ■ 2nd prize  Title “Metamorphosis”  

Biennial of Contemporary Graphics Diego Donati award V Perugia edition 5 December 2018  ■ Certificate of merit  Title “Progress Geometries”

International Exhibition Exlibris “Signature” 2018 Galerija Meander Apatin -Serbia-  ■ First Prize “Dreams”   Title Armistice  1918 “An unknown life appeared before one’s eyes: the inexplicable condemnation” 

DEG congress in Wetzlar 2019 Germany  ■ Third prize P.F. Merry Christmas from Alberobello  Title “Invitation to Silence” 

IX International Biennale of Exlibris CONTRATALLA 2019 Tarragona  –Spain  ■ Honorable Mention  Title “The wine” 

Exlibris In Fabula 2nd edition 2018 OFFICINE INCISORIE  ■ First classified  Title “The wine” inspired by the Apulian traditional collection of fairy tales “Tell me a story” by Dino Angelini

Exlibris Dr. Armando Sanasi, 99, The number one from the Ox to the dying Buddha, 2019, C3+C5 - - - - - THE RAT. 2020 Accordings to the legend Buddha, in the premonition of his end on Earth, summoned all the animals of the Earth, but only 12 went to offer their greeting. As a reward for their loyalty, the Buddha decided to call year of the lunar cycle with the name of each of the 12 animals rushed. The mouse, crafty and quick by nature, arrived first. The diligent ox finished 2nd. The legend explains why the clever little mouse succeeded in defeating the big and honest Ox. Climbing on his back, the mouse avoided going down the road and when he reached the place he jumped the Ox and greeted the Buddha. The mouse is considered an extraordinary case and has a characteristic: while the front legs have four toes, the rear ones have five: 4+5=9 . Therefore associated with the number 9.
Exlibris Claudia Oppes, Here lies the most beautiful secret of old age: perpetuare that fleeting embrace, 2020, C3
Pro Festivitate Natale 2019 GENOA, Merry Christmas to you Genova, 2019, C3
Pro Festivitate Marianna Antonacci, Invitation to Silence, 2019, C3+C5
Exlibris Stefani Sanasi, 2017, C3
Exlibris Brigitte Esche, DANDY, Épater la Bourgeoisie, 2019, C3 - - - - - AMAZING THE BOURGEOISIE The great dandy Owl, nostalgic for the Ancien Regime, with an indifferent air shows himself in full self-control and the impossibility of being emotionally touched by e gente. The stick serves to establish the boundaries of the group to the dandy and to highlight the differences with the mass. The owls , resting on the black stick, wear refined hats and exhibit elegance in clothing . They express contempt and disgust for the mass that insolent and impertinent has fun with simplicity by jumping and dancing the Neapolitan Tarantella on the keyboard of a piano.
L´ARCO DI GIANO, The Color of Light, 2004, C3

Salzwedel, Norbert

Norbert Salzwedel

Anschrift:
Nithackstraße 13
10585 Berlin 

030-3412800

Geboren 1950 in Ostberlin.
1977 begonnen zu zeichnen, erst autodidaktisch, dann unter Anleitung des Grafikers Helmut Lohnke, eines Schülers von Gottfried Bammes.
1984 Ausreise in den Westen.
1986 erste Versuche mit der Kaltnadel; gedruckt mit Hilfe einer Wäsche Wring Vorrichtung.
1989 bis 1993 an der HdK Berlin außerordentliches Graphikstudium, Kaltnadel wird die bevorzugte Technik.
Er kann vor allem die dort vorhandene Druckwerkstatt nutzen.
1994 Kauf einer Tiefdruckpresse.
Seit 1995 erste Arbeiten in der Technik des Kupferstichs.
2000 Eintritt in die DEG. 
Bisher 104 Exlibris gestaltet (vorwiegend Kupferstich).
Ab 2012 auf Anregung von Utz Benkel wieder begonnen, Akt zu zeichnen.
Bisher zwei Einzelausstellungen und Beteiligung an Ausstellungen und Wettbewerben.
Mehrere Auszeichnungen.

„Aktzeichnen, für mich eine ständige Übung der Wahrnehmung des Körpers im Raum. Es ist wie ein Schärfen der Werkzeuge; sie gebrauchsfertig zu halten. So bin ich in der Lage eine gelungene Zeichnung in selbstvergessenem Tun wie ein Geschenk zu empfangen.“

Pauwels, Hedwig

Hedwig Pauwels

Anschrift:

Berkenlaan 21
3500 Hasselt
Belgiën

Hedwig.Pauwels@telenet.be

Studium

  • Academie voor Schone Kunsten, Sint- Niklaas
  • Hoger Instituut, Monumentale Malerei und Grafischer Kunsten, St. Lucas Gent (B)
  • Publizitäts- und Werbezeichnung, St. Lukas, Gent (B)
  • Goldschmiedekunst, Idar- Oberstein (D)

Berufstätigkeiten

  • 1956- 1960: Entwerfer für Porzelanmalerei, Firma Dupont-Foudrignier, Antwerpen (B)
  • 1957- 1997: Professor Grafischer Kunst, Provinciaal Hoger Instituut voor Kunstonderwijs, PHIKO (jetzt PXL/MAD) 
  • 1969- 1971: Professor an die Stedelijk Kunstacademie, Hasselt
  • 1971- 1991: professor an die Gemeentelijke Kunstacademie, Heusden- Zolder

Mehrere Austellungen, Publikationen und Preisen in Innen und Ausland.

Tuccelli, Maria Maddalena

Maria Maddalena Tuccelli

Anschrift:
Via dei Frassini 9
00060 Formello
Italien 

mariamaddalenatuccelli@gmail.com

Born in Gaeta (Middle Italy) in 1951, she  attendend the State Art Institute getting her diploma of Master of Art in 1969 with specialization in ceramics. She attended afterwards a three years course of decoration on Limoges Chinaware. She also attended the school of Art of Medal (part of the State Mint of Rome) where she achieved, with a three-years scholarship, a specific diploma for the design, modelling and engraving of minting dies.

Employed by the Italian State Printing Office and Mint in 1973, she won a competition allowing her to work in its Center of Filathelic and graphic and chalcographic processing of postage stamps, stamp souvenir sheets and Art prints. After a few years, she was appointed as Coordinator of the Centre. Then she taught chalcography and hand-engraving at the School of Art of Medal of the State Mint of Rome.

Her artistic activity is well documented by the postage stamps she designed and engraved for the Italian Post office (over 60), for the Vatican City (over 10) and for Somaliland (over 30).

He has participed in individual as well as collective exhibitions: in 2007 one of her works was exhibited at the Vittoriano in Rome.

The participation at the International Conferences brought Maria Maddalena Tuccelli to know several collectors and to take commissions from Europa and Asia further signals and special mentions.

Damme, Frank Ivo van

Frank Ivo van Damme

* 02.09.1932 in Antwerpen (Merksem), Belgien

Anschrift:
Sint Lucaslaan  22   
2180  Antwerpen
Belgien

info@kalligrafia.be
www.fivandamme.eu

Studied at the Royal Academy of Antwerp. Master of the Higher Institute of Fine Arts Antwerp 1962

Founder and publisher of the Youth Magazine “Pijpkruid” 1948–1958

Master of the Plantin Higher Institute for typography Antwerp 1971

Founder of the “Vrije Vespertekenschool” which became later Academy of Art Antwerp district Merksem

1992 retired as director of this Academy

Well-known as a portraitist

Worldwide famous for his graphic art, especially EXLIBRIS in wood- and copper engraving

With his wife, poet and calligrapher Joke van den Brandt, he has 5 talented children

Brandt, Joke van den

Joke van den Brandt

* 1937

Belgien

info@kalligrafia.be
joke.vandenbrandt@gmail.com

– Graduate in Litterature

– Studied Calligraphy at the Fach-Hochschule Aachen (Germany)

– Studied Codicology & Paleography at the University of Brussels

– Main works: Calligraphy: charters, posters, illustrations, bibliophilistic books, awards, exlibris etc.

– Exhibitions in Belgium and abroad (Italy, Hungary, Austria, Germany, The Netherlands)

– Founder & President of the Calligraphy Association “Kalligrafia” 

 Exlibris-Werkliste Joke van den Brandt

Exlibris für Horstfried Masthoff, E/P7/2/col, 2001
Exlibris für Koen Van Winckel & Annemie Bos, E/P7/2, 1995
Exlibris für James P. Keenan, E/S/col, 2000
Exlibris für Klaus Thoms, E/P7/2, 1999
Exlibris für Kaatje van Damme, E, 2013
Eigen-Exlibris, E, 2002
Exlibris für Elsbeth Rhonheimer, E, 2005

Agirba, Ruslan

Ruslan Agirba (Ukraine)
*1957 in Batumi (Georgien).

www http://agirba.com.ua/

Abschluss an der grafischen Fakultät des Ukrainischen Polygraphischen Instituts. Arbeitsfelder: Grafikdesign, Druckgrafik.

Teilnahme an mehr als 135 internationalen Ausstellungen von Freier Grafik und Exlibris in Belgien, Italien, Kanada, Frankreich, den Niederlanden, Schweden usw.

Mehr als 20 internationale Auszeichnungen.
2005 – Erster Preis der 10. Ausgabe des internationalen Gravurwettbewerbs el Caliu (Spanien).
2007 – 12. Internationale Biennale für Kleingrafik und Exlibris – Nominacja. Ostrow Wielkopolski (Polen).
2011 – Erster Preis in der Ausstellung “4th Annual Naturally Nude” der CIAO Gallery, Jackson Hole WY (USA).

Lebt und arbeitet in Kiew (Ukraine).